{"id":12,"date":"2023-04-18T11:43:00","date_gmt":"2023-04-18T11:43:00","guid":{"rendered":"https:\/\/www.woundedmemory.kf.vu.lt\/?page_id=12"},"modified":"2023-08-21T09:12:27","modified_gmt":"2023-08-21T09:12:27","slug":"about","status":"publish","type":"page","link":"https:\/\/www.woundedmemory.kf.vu.lt\/lt_LT\/","title":{"rendered":""},"content":{"rendered":"
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Dilema \u2013 problema, alternatyva, pad\u0117tis, reikalaujanti rinktis vien\u0105 i\u0161 dviej\u0173 ar daugiau (paprastai nepageidaujam\u0173) galimybi\u0173. <\/strong><\/p>\n\n\n\n

Dabartinis lietuvi\u0173 kalbos \u017eodynas<\/em><\/p>\n\n\n\n

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Ar esate kada susid\u016br\u0119 su dilema? Ar teko rinktis vien\u0105 i\u0161 keli\u0173 galimybi\u0173, \u017einant, kad laimingos pabaigos nebus? Tokie pasirinkimai sukre\u010dia, traumuoja, palieka sielos \u017eaizdas, neu\u017egyjan\u010dias de\u0161imtme\u010dius.<\/p>\n\n\n\n

Karo, smurto, \u012fkalinimo, noro i\u0161gyventi sud\u0117tingomis istorin\u0117mis aplinkyb\u0117mis emocinis kr\u016bvis per laik\u0105 i\u0161bl\u0117sta. Laiko nuotolis suteikia \u012fsivaizduojam\u0105 saugum\u0105 ir da\u017enai nujautrina istorinius periodus ar \u012fvykius. Ta\u010diau kiekvienas i\u0161 j\u0173 susideda i\u0161 sud\u0117ting\u0173 dilem\u0173, kurias teko spr\u0119sti paprastiems \u017emon\u0117ms, o v\u0117liau gyventi su savo pasirinkim\u0173 pasekm\u0117mis ir jausmais.  Tie \u017emon\u0117s \u2013 kaip kiekvienas i\u0161 m\u016bs\u0173: dukros, s\u016bn\u016bs, t\u0117vai, seneliai.<\/p>\n\n\n\n

Ekspozicija atskleid\u017eia dilemas, su kuriomis susid\u016br\u0117 mergait\u0117s, merginos ir jaunos moterys, siekusios i\u0161gyventi \u017eiauriomis Antrojo pasaulinio karo ir Holokausto s\u0105lygomis. I\u0161gyvenusi\u0173j\u0173, j\u0173 dukr\u0173 ir an\u016bki\u0173 liudijimai atskleid\u017eia, kad atsiv\u0117rusios sielos \u017eaizdos yra opios net keliose \u0161eimos kartose, o paslaptyje laikomos traumin\u0117s patirtys ir tyla \u2013 tarsi ant \u017eaizd\u0173 beriama druska, neleid\u017eianti joms u\u017egyti. Traumines patirtis i\u0161gyvenusi\u0173 moter\u0173 dukros ir an\u016bk\u0117s apie praeities \u012fvykius kalba nenoriai, j\u0173 liudijimai da\u017enai yra anonimi\u0161ki. <\/p>\n\n\n\n

Ekspozicijos moter\u0173 pasakojimai, skaud\u017eiausi\u0173 patir\u010di\u0173 atv\u0117rimas pasauliui \u2013 b\u016bdas susitaikyti su savimi ir gydyti sielos \u017eaizdas. Ilgus de\u0161imtme\u010dius paslaptyje laikyti pasakojimai palies J\u016bs\u0173 emocijas, o juos suprasti pad\u0117s \u017emogi\u0161kumas ir empatija. <\/p>\n\n\n\n

\u0160ios savyb\u0117s ypa\u010d svarbios stebint ir vertinant \u0161iuolaikin\u012f pasaul\u012f ir jame vykstan\u010dius procesus. Juk ir \u0161iandien skirtinguose pasaulio kra\u0161tuose paprasti \u017emon\u0117s sprend\u017eia dilem\u0105: i\u0161likti ar i\u0161nykti?<\/p>\n\n\n\n

K\u0105 rinktum\u0117t\u0117s J\u016bs?<\/p>\n<\/div>\n\n\n\n

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Kurator\u0117s<\/strong> Neringa Latvyt\u0117, Donata Armakauskait\u0117<\/p>\n\n\n\n

Dizainer\u0117<\/strong> Ieva \u0160imkonyt\u0117<\/p>\n\n\n\n

Grafikos dizainer\u0117<\/strong> Kotryna \u010calkait\u0117<\/p>\n\n\n\n

Gamintojas<\/strong> V\u0117jas Aliukas ir Dominykas \u0160avelis \/ Strange Things<\/p>\n\n\n\n

Nuo\u0161ird\u017eiai d\u0117kojame<\/strong> Faniai Jocheles-Brancovskajai, Ditai Zupavi\u010dienei-\u0160perlingienei, Frumai Vitkinaitei-Ku\u010dinskienei, Juditai Gliauberzonaitei, Ievai \u010cernevi\u010di\u016btei, Bellai Shirin, Ramintai Jakucevi\u010dienei. U\u017e suteikt\u0105 med\u017eiag\u0105 d\u0117kojame Vilniaus Gaono \u017eyd\u0173 istorijos muziejui.<\/p>\n\n\n\n

Prisiminimai ir interviu i\u0161 knyg\u0173 bei mokslini\u0173 darb\u0173:<\/strong><\/p>\n\n\n\n

\u0420\u0443\u0436\u043a\u0430 \u041a\u043e\u0440\u0447\u0430\u043a. \u041f\u043b\u0430\u043c\u044f \u043f\u043e\u0434 \u043f\u0435\u043f\u043b\u043e\u043c. \u0422\u0435\u043b\u044c-\u0410\u0432\u0438\u0432, 1977.<\/p>\n\n\n\n

Sara Ginait\u0117-Rubinsonien\u0117. Atminimo knyga. Vilnius, 1999.<\/p>\n\n\n\n

\u0420\u0430\u0445\u0438\u043b\u044c \u041c\u0430\u0440\u0433\u043e\u043b\u0438\u0441. \u041d\u0435\u043c\u043d\u043e\u0433\u043e \u0441\u0432\u0435\u0442\u0430 \u0432\u043e \u043c\u0440\u0430\u043a\u0435. \u0412\u0438\u043b\u044c\u043d\u044e\u0441, 2006. <\/p>\n\n\n\n

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